Showing posts with label spells. Show all posts
Showing posts with label spells. Show all posts

Wednesday, March 26, 2014

Glamour





GLAMOUR

Stealing the life she’s always wanted
is as easy as casting a spell.

GLAMOUR:

Townie. That’s what eighteen-year-old Christina Sundy is. All year round she lives in a one-stoplight town on Cape Cod and when summer comes she spends her days scooping ice cream for rich tourists, who she hates. So when one of them takes a job in the ice cream shop alongside her, she’s pissed. Why does a blonde and perky Harvard-bound rich girl like Reese Manning want to scoop ice cream anyway?

Something else weird is happening to Christina: tiny blue sparks seem to be shooting off her fingers. It isn’t long before she realizes the truth about herself—she’s actually a powerful hereditary witch. But her newfound powers are too intense for her to handle and, in a moment of rage, she accidentally zaps Reese into another dimension.

So that no one will notice that the rich girl has disappeared, Christina casts a disguising spell, or “glamour,” and lives Reese’s life while she tries to find a retrieval spell. But as the retrieval spell proves harder than anticipated, and as she goes about living Reese’s life without anyone on the outside noticing the switch, Christina realizes that there’s nothing to stop her from making the glamour permanent... except, of course, her fellow witches, a 16th century demon, and, just maybe, her own conscience.



Excerpt:

An absolutely stunning woman answered our knock. She was tall with dark, wild hair, and razor-thin. When she spoke, her voice was a whiskey-and-cigarettes rasp with a vague, untraceable accent.
“Well, if it isn’t the radiant Bridget Bishop,” the woman said. “Shouldn’t you be making ice cream or something?”
Bridget laughed. “Nadia, I miss you.”
They hugged like old friends. Not that I was jealous, but I was confused. How come I’d never heard of this person? I knew most of Bridget’s friends. It seemed she’d been keeping all the witchy aspects of her life secret from me lo these many years.
“So this is the kid.” Nadia looked at me. I caught a glimpse of her house behind her as she opened the door a little wider. Chelsea Lately played on her television.
“Nadia, this is Christina,” Bridget interjected. “She’s the most powerful natural witch I’ve ever seen.”
Mazel tov. Another teenager who thinks she’s special and different.”
Bridget mock-whispered, “But this one really is.”
“Oh yeah?”
“She performed a quantum banishment. Accidentally.”
“Holy shit. Really?”
I was getting used to being talked about like I wasn’t even there.
“Christina’s powers have been firing off all summer,” Bridget continued. “She’s been casting these very classical spells, real old-school stuff, without even knowing it.”
Nadia took a second to absorb this. “I guess you should come inside then, huh?”



Interview:

1. How did you get started writing? 

I started reading at four and wanted to be a writer since I was six, so basically I can’t remember why or remember a time when there was ever any other idea in my mind.

2. What are your favorite kinds of characters to write about?
I love writing flawed characters, who make mistakes and screw up constantly and are so far from perfect it would be sad if they weren't so god damn delightful in their own entertaining, sometimes regrettable ways. 

3. Heels or flats?
Oh dear god, flats. I'm a walking tour guide by trade, so without arch support I am literally ruined. 

4. Burgers or sushi?

Burgers.
5. Plotter or pantster?
Pantser these days. I find writing a fast rough draft takes less time than laboriously plotting and outlining, is less boring, and essentially amounts to the same thing. 

6. What helps you develop your characters-do you start with them or develop them as the story goes on?
Definitely develop them as the story goes on. I'll start with a certain quality, or event, or even just a name, and work from there: an ambidextrous scooper, a woman living with a ghost, a failed artist, a name I saw on a gravestone that sounded like a lady detective. Then I build out. 

7. Name three things on your desk.
A can of dust destroyer, business cards, and a pen. 

8. Do you write to music?
Sometimes yes, sometimes no. I have no set routines. 

9. What was your favorite scene in Glamour?
I love the scene where they visit Nadia!
10. What are you working on now?
A ghost story about a woman living in a haunted condo in Rockaway Beach (that's in Queens).





About the author:

Andrea Janes writes horror, dark comedy, thrillers, and historical slapstick. She is the author of Boroughs of the Dead: New York City Ghost Stories. She is also a licensed NYC tour guide, and offers a variety of ghostly tours around the city.


Her many obsessions include New York City history, old photographs, Mabel Normand, all things nautical, and beer. She maintains a personal blog over at Spinster Aunt, where she discusses these obsessions in more detail than is probably healthy.

Monday, January 20, 2014

Elemental Magic: Book Five in the Riga Hayworth Series


Sympathetic Magic in Witchcraft
Have you ever wondered how spells work?
As a paranormal writer, I wonder about this a lot while I’m crafting my magical world. But the basic “law” behind spell crafting is as simple as it is old: sympathetic magic.
Though the law of sympathy has been used and understood since the ancient Egyptians (and perhaps beyond), it got its first scholarly, western analysis by Sir James George Frazer. He explained it as an mash-up of two other laws: the law of similarity and the law of contact.
Law 1: Similarity, or like produces like. The easiest example of this to give (and everybody does) is the poppet or voodoo doll. A poppet is a small doll created to represent the person you want to cast a spell on, for better or worse (let’s assume better). Whatever the spell caster does to the poppet, then happens to the person.
Law 2: Contact. The idea here is that objects that were once in contact with each other will continue to affect each other even after that contact has been broken. For example, in the Dresden Files, warlock Harry Dresden is careful to make sure no enemy gets hold of his hair or nail clippings. Why? Because the strongest contact would be between a person and, er, all those little bits that tend to fall off.
Put these two ideas together, and voila! Sympathetic magic.
But let’s say your witch doesn’t want to go the evil poppet route and thinks nail clippings are icky. How could she use sympathetic magic to build a spell? The answer: correspondences.
Correspondences – the idea that seemingly unconnected things actually do share a connection at a mystical level – stem directly from sympathetic magic. For example, the sun corresponds to fire, the lion, the birch, the heart and circulatory system, happiness, and success.
So if you want to craft a spell, you could use an object that corresponds to your intended effect and give your magic more oomph. Using the solar example, a witch might bring some sun energy into her spell for personal happiness by lighting candles, scattering birch branches on her altar, and/or by casting her spell around the summer solstice.
In the film Practical Magic, the young witch casts a true love spell, Amas Veritas spell. To cast the spell, she lists the qualities of the lover she’s calling. For each quality, she plucks a flower petal or blossom that represents that attribute. When she says that his favorite shape is a star, she adds a star-shaped flower to her magical mix.
I can’t get enough of this idea. In fact, it was the inspiration for a locating spell in my latest book, The Elemental Detective, when my metaphysical detective uses a favorite book to find her missing familiar.
To sum it all up: as illogical and paranormal as magic seems – and let’s face it, that’s what makes reading about it so fun – it’s really surprisingly logical.
About the Author
Kirsten Weiss is the author of the Riga Hayworth series of urban fantasy/paranormal mystery novels. Here’s a blurb from her latest, book five in the series – The Elemental Detective.
Mermaids, menehunes, and murder.
Riga Hayworth just wants to relax with her new husband on their Hawaiian honeymoon. But a body on a Kauai beach pulls them into a murder investigation, sending the supernatural world into an uproar.
When Riga detects traces of magic at a murder scene, she knows she can’t ignore the call. There’s necromancy afoot, and she must prepare for the battle to come. But can Riga fight the forces of nature? Or will they destroy her and everyone she loves?

Book five in the Riga Hayworth series of paranormal mystery novels, The Elemental Detective is a fun, fast-paced urban fantasy blending romance with the supernatural, and exploring the magic of Hawaii.



The Elemental Detective
Author: Kirsten Weiss
Published December 21, 2013 by misterio press
Genre: Adult, Urban Fantasy/Paranormal Mystery
Series: Book 5 in the Riga Hayworth series of paranormal mystery novels
Word count: 70,647
Available for review: ePub/Nook, mobi/Kindle, PDF, paperback
Get it from:

Blurb:
Mermaids, menehunes, and murder.
Riga Hayworth just wants to relax with her new husband on their Hawaiian honeymoon. But a body on a Kauai beach pulls them into a murder investigation, sending the supernatural world into an uproar.
When Riga detects traces of magic at a murder scene, she knows she can’t ignore the call. There’s necromancy afoot, and she must prepare for the battle to come. But can Riga fight the forces of nature? Or will they destroy her and everyone she loves?
Book five in the Riga Hayworth series of paranormal mystery novels, The Elemental Detective is a fun, fast-paced urban fantasy blending romance with the supernatural, and exploring the magic of Hawaii.



Excerpt: pages 1 – 3
The palms outside rattled like bones, awakening Riga. A warm salt breeze slipped through the open door, and shivered across her bare skin. Beside her, the mattress sagged, the bed frame creaking an accompaniment to her own, steady breathing.
One breath, rising and falling. Her breath.
Muddled by sleep, she stilled, her heart leaping with a sudden jolt of adrenaline as she understood it wasn’t her husband beside her, weighting the bed. Riga kept her breathing steady, and extended her other senses. Probing. She opened her eyes, peering through her lashes. Through the open glass door, the moon illuminated a winged figure, hunched beside her on the hotel’s bed.
“Brigitte!” Riga sat up, torn between annoyance and the panic rising in her throat. She clutched the sheet to her breasts. “What are you doing here? Where’s Donovan?”
The gargoyle shrugged, the sound of rocks grating together, and the bed shifted. “Monsieur Mosse left an hour ago,” she graveled, a French-accented Lauren Bacall. “And his whereabouts are the least of your worries.”
Riga lurched to the left and reached for the bedside lamp. Instead, her fingers found emptiness, fumbled in the dark, then touched a wooden leg, upright, seemingly supporting nothing. Where the hell had the tabletop gone? Her fingers brushed a rounded stump and it fell over with a crash. Where the hell had the lamp gone?
She swung her feet out of bed, took two steps, and bashed her shin into something hard. Riga felt along the wall and smacked the light switch, cursing. Uncomprehending, she stared. Everything but the bed had been turned upside down. Cushioned wicker chairs. Wooden table. Television… She grabbed her silk robe, draped over an upside down ottoman, and slipped it on, walked to the entertainment center. That was still upright, but the TV inside had been inverted.
Wonder leaked past her anxiety. She sniffed. A trace of magic lingered, wild like a forest glade, elemental. Fae? She regarded the creative destruction she’d slept through, and amended that thought. Stealth fae. Dammit. She fumbled the belt of her robe.
“What happened to Donovan? Where is he?” Riga’s voice sounded shrill, even to her ears.
“Your husband left of his own accord.”
“Alone?” Riga motioned toward the mess. No, it couldn’t be happening again. Not another run-in with the faery world. Not here. Not now. “Did you see who—”
Brigitte’s stone-feathered head reared backwards. “I do not spy!”
“But you saw Donovan leave.”
“And then I waited by ze rocks until you woke up.”
You woke me up.”
The gargoyle picked at her feathers. “I grew bored, and the sun will rise soon, and we have much to discuss.”
The diamond on Riga’s finger glinted, and she rubbed the back of her wedding rings with her thumb. She and Donovan hadn’t yet adjusted to island time, and both were rising well before daybreak. Donovan had probably woken up while she was sleeping and grown restless, hadn’t wanted to wake her. Of course he was safe. It couldn’t be happening again. That would be stretching the bounds of… She worked the knot on her robe. He was safe.
She swallowed, despising the remnants of fear that made her muscles twitch, and flipped her emotions to anger. Anger was simpler.



About the Author:
Kirsten Weiss is the author of the Riga Hayworth paranormal mystery series: The Metaphysical Detective, The Alchemical Detective, The Shamanic Detective, The Infernal Detective, and The Elemental Detective.
Kirsten worked overseas for nearly fourteen years, in the fringes of the former USSR and deep in the Afghan war zone.  Her experiences abroad not only gave her glimpses into the darker side of human nature, but also sparked an interest in the effects of mysticism and mythology, and how both are woven into our daily lives.
Now based in San Mateo, CA, she writes paranormal mysteries, blending her experiences and imagination to create a vivid world of magic and mayhem.
Kirsten has never met a dessert she didn’t like, and her guilty pleasures are watching Ghost Whisperer reruns and drinking good wine. 
You can connect with Kirsten through the social media sites below, and if the mood strikes you, send her an e-mail at kirsten_weiss2001@yahoo.com

Thursday, May 9, 2013

Pure Magic by Judkia Illes

Pure Magic: A Complete Course in Spellcasting


Pure Magic is a practical crash course for anyone who's ever envied TV witches. Or women who always seem to get the job, apartment, or date they want. Or people who can make their dreams come true. Judika Illes has written a spellcasting primer in down-to-earth language. "I consciously set out to write a book that would be different from any other on the market," Illes writes. "This book is jargon free. It contains information usually handed down from teacher to student. It focuses on the practical aspects of spellcasting in a clear and nonjudgmental way. . . . No specialized metaphysical training is required." What is required is that we become aware of the natural rhythms, energies, powers, and patterns of Earth and her diverse inhabitants. Pure Magic offers a plethora of individual spells, plus concrete advice on how and where to practice magic, to rightly use words of power, and to cleanse, protect, and enhance your magic self. Work your way through it's easy-to-follow, step-by-step plan, and all will become clear. Learn to listen to Mother Earth, focus on your magical allies, gather the simple equipment Illes outlines, and follow the straightforward instructions, and you will soon be constructing your own spells and experiencing magic in your everyday life. Pure Magic is a book that beginners will follow rigorously and advanced spellcasters will refer to again and again for guidance and inspiration. 

* Magic 101: this book is a complete course in real magic--how and why it works. 

* Pure Magic is a perennial, from an author with a great track who knows what she's talking about. 


This book was a lovely read! I was thrilled to receive a copy from the publisher in exchange for an honest review.

When I was a little girl, I would find myself endlessly searching the television for movies like Bednobs and Broomsticks, or shows like Bewitched. Those are the moments that plucked at my imagination and made my heart race. Was magic something real? In my writer brain and in my childhood imaginings, I so wanted it to be true.

Pure Magic rests in the place that magic is part of the web of everyday life. That is the charm in this book.  Take a journey with Judika Illes as she teaches you about magic from the bottom up. I found this book to be a very good introductory course in all things magical, from the most simple to some a little more challenging. 

This book is full of sound research and will give hours of reading pleasure!

Highly recommended as an addition to any magical library, either for reference or practical knowledge.

4/5