Friday, May 30, 2014

Legally Undead


On the Broomstick

Legally Undead Playlist – by Margo Bond Collins
One of the things that I love best about writing about vampires (other than their sheer creepiness!) is all the fabulous mood music that’s available—some of it directly about vampires, and some of it simply nicely sinister.  Also, although Legally Undead is set in New York City, the heroine, Elle (a graduate student turned reluctant vampire hunter), is originally from New Orleans. That’s in part a nod to Anne Rice, of course (and to my own college years spent in the French Quarter), but it has the added benefit of allowing me to include some great New Orleans vampire songs in Elle’s playlist. Sadly, there aren’t as many New York vampire songs—but Elle’s snarky sense of humor shows up in the ones included here, and in the choice of songs like “My Boyfriend’s Back.”  Enjoy the Legally Undead playlist, and be sure to check out the excerpt below!


 



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Legally Undead, available May 27 from World Weaver Press

A reluctant vampire hunter, stalking New York City as only a scorned bride can.

Elle Dupree has her life all figured out: first a wedding, then her Ph.D., then swank faculty parties where she’ll serve wine and cheese and introduce people to her husband the lawyer.

But those plans disintegrate when she walks in on a vampire draining the blood from her fiancé Greg. Horrified, she screams and runs--not away from the vampire, but toward it, brandishing a wooden letter opener.

As she slams the improvised stake into the vampire’s heart, a team of black-clad men bursts into the apartment. Turning around to face them, Elle discovers that Greg’s body is gone—and her perfect life falls apart.


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Excerpt:

The worst thing about vampires is that they're dead. That whole wanting to suck your blood business runs a close second, but for sheer creepiness, it's the dead bit that gets me every time. They're up and walking around and talking and sucking blood, but they're dead. And then there's the whole terminology problem--how can you kill something that's already dead? It's just wrong.
I was twenty-four the first time I . . . destroyed? dispatched? . . . a vampire. That's when I found out that all the books and movies are wrong. When you stick a wooden stake into their hearts, vampires don't disintegrate into dust. They don't explode. They don't spew blood everywhere. They just look surprised, groan, and collapse into a pile of corpse. But at least they lie still then, like corpses are supposed to.
Since that first kill (I might as well use the word--there really isn’t a better one), I've discovered that only if you're lucky do vampires look surprised before they groan and fall down. If you're unlucky and miss the heart, they look angry. And then they fight.
There are the other usual ways to kill vampires, of course, but these other ways can get a bit complicated. Vampires are notoriously difficult to trick into sunlight. They have an uncanny ability to sense when there's any sunlight within miles of them, and they're awfully good at hiding from it. Holy water doesn't kill them; it just distracts them for a while, and then they get that angry look again. And it takes a pretty big blade to cut off someone's head--even an already dead someone--and carrying a great big knife around New York City, even the Bronx, is a sure way to get arrested. Nope, pointy sticks are the best way to go, all the way around.
My own pointy stick is actually more of a little knife with wood inlay on the blade--the metal makes it slide in easier. I had the knife specially made by an old Italian guy in just about the only ratty part of Westchester, north of the city. I tried to order one off the internet, but it turns out that while it’s easy to find wood-inlay handles, the blades themselves tend to be metal. Fat lot those people know.
But I wasn’t thinking any of this when I pulled the knife out of the body on the ground. I was thinking something more along the lines of “Oh, bloody hell. Not again.”

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About the Author

Margo Bond Collins is the author of a number of novels, including Waking Up Dead, Fairy, Texas, and Legally Undead (forthcoming May 27, 2014). She lives in Texas with her husband, their daughter, and several spoiled pets. She teaches college-level English courses online, though writing fiction is her first love. She enjoys reading urban fantasy and paranormal fiction of any genre and spends most of her free time daydreaming about vampires, ghosts, zombies, werewolves, and other monsters.

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Connect with Margo
Twitter: https://twitter.com/MargoBondCollin  @MargoBondCollin
Goodreads Author Page: http://www.goodreads.com/vampirarchy

Be sure to add Legally Undead to your Goodreads bookshelves: https://www.goodreads.com/book/show/18366353-legally-undead




Wednesday, May 21, 2014

Fae Cover Reveal


“FAE”
EDITED BY RHONDA PARRISH

Alpena, MI (May 8, 2014) – World Weaver Press (Eileen Wiedbrauk, Editor-in-Chief) has announced Fae, a new anthology of fairy stories from classic tales to urban fantasy, edited by Rhonda Parrish, will be available in trade paperback and ebook Tuesday, July 22, 2014.
                                                                                                                                                           
Meet Robin Goodfellow as you’ve never seen him before, watch damsels in distress rescue themselves, get swept away with the selkies and enjoy tales of hobs, green men, pixies and phookas. One thing is for certain, these are not your grandmother’s fairy tales. Fairies have been both mischievous and malignant creatures throughout history. They’ve dwelt in forests, collected teeth or crafted shoes. Fae is full of stories that honor that rich history while exploring new and interesting takes on the fair folk from castles to computer technologies and modern midwifing, the Old World to Indianapolis. Fae covers a vast swath of the fairy story spectrum, making the old new and exploring lush settings with beautiful prose and complex characters. Enjoy the familiar feeling of a good old-fashioned fairy tale alongside urban fantasy and horror with a fae twist.

With an introduction by Sara Cleto and Brittany Warman, and new stories from Sidney Blaylock Jr.Amanda BlockKari CastorBeth CatoLiz ColterRhonda EikampLor GrahamAlexis A. HunterL.S. JohnsonJon Arthur KitsonAdria LaycraftLauren LiebowitzChristine MorganShannon PhillipsSara PulsLaura VanArendonk Baugh, and Kristina Wojtaszek.

Fae will be available in trade paperback and ebook via Amazon.com, Barnesandnoble.com, Kobo.com, and other online retailers, and for wholesale through Ingram. You can also find Fae on Goodreads.

Anthologist Rhonda Parrish is driven by a desire to do All The Things. She has been the publisher and editor-in-chief of Niteblade Magazine for over five years now (which is like 25 years in internet time) and is the editor of the benefit anthology, Metastasis. In addition, Rhonda is a writer whose work has been included or is forthcoming in dozens of publications including Tesseracts 17: Speculating Canada from Coast to Coast andImaginarium: The Best Canadian Speculative Writing. Her website, updated weekly, is at rhondaparrish.com.

World Weaver Press is a publisher of fantasy, paranormal, and science fiction, dedicated to producing quality works. We believe in great storytelling.

Release date: July 22, 2014

Monday, April 28, 2014

Release Day Blitz: Blood Magic




Title: BLOOD MAGIC
Series: SoulTracker
Spin-Off: DarkWorld
Volume: 1
Genre: NA Urban Fantasy
Publication Date: 28th April 2014
Paperback Pre-Orders
Publisher: Infinite Ink
Blood Magic on Goodreads

My name is Mel Morgan and I'm a Tracker. I find people for a living. The people I help have no idea I know exactly how they feel because I've lost someone too. If only I could have found the one person I've been looking for all these years.

My current case is no ordinary abduction. Before long I'm neck deep in blood magic - the worst kind. I need the help of a necromancer if I'm to free the kid. Doesn't mean I have to like it.

When sexy djinn Saleem asks for help things get a little hot to handle. But how can I say no? Dodging demons and sorcerers are just part of my day job.

PURCHASE LINKS

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"So you'll arrest me because I spoke to a guy? Mighty protective of you, Detective." I smiled, injecting a little charm into the turn to my lips. "I always knew there was a reason you followed me around twenty-four seven, Detective. I just never realized it was because you had the hots for me."

A snort of laughter emanated from his dark-haired partner and I tilted my head to address him. "So who are you supposed to be? You the latest sorry sucker they found to babysit this fool?" I pointed a thumb at Fulbright who choked with fury at my words. Not that being polite to Fulbright had ever been my strong suit.


I have been a writer from the time I was old enough to recognise that reading was a doorway into my imagination. Poetry was my first foray into the art of the written word. Books were my best friends, my escape, my haven. I am essentially a recluse but this part of my personality is impossible to practise given I have two teenage daughters, who are actually my friends, my tea-makers, my confidantes… I am blessed with a husband who has left me for golf. It’s a fair trade as I have left him for writing. We are both passionate supporters of each other's loves – it works wonderfully…

My heart is currently broken in two. One half resides in South Africa where my old roots still remain, and my heart still longs for the endless beaches and the smell of moist soil after a summer downpour. My love for Ma Afrika will never fade. The other half of me has been transplanted to the Land of the Long White Cloud. The land of the Taniwha, beautiful Maraes, and volcanoes. The land of green, pure beauty that truly inspires. And because I am so torn between these two lands – I shall forever remain cross-eyed.

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Thursday, April 10, 2014

The Devil in Midwinter




“THE DEVIL IN MIDWINTER” / ELISE FORIER EDIE


Alpena, MI (April 8, 2014– World Weaver Press (Eileen Wiedbrauk, Editor-in-Chief) has announced The Devil in Midwinter by Elise Forier Edie, a new paranormal romance novella, and previously featured in A Winter’s Enchantment,  is available in trade paperback and ebook today, Tuesday, April 8, 2014.

Praise for The Devil in Midwinter:

The Devil in Midwinter is a beautiful tapestry of myth and legend and love, woven into a small town romance.”
— Amalia Dillin, author of Forged by Fate

“A mash-up of Mexican folklore and the classic Sleeping Beauty, set in the orchards of Washington, The Devil In Midwinter is a stunning romance that put me in mind of the lush works of Charles De Lint.”
— Kristina Wojtaszek, author of Opal
A handsome stranger, a terrifying monster, a boy who burns and burns… Mattawa, Washington, is usually a sleepy orchard town come December, until a murder, sightings of a fantastic beast, and the arrival of a handsome new vintner in town kindle twenty-year-old reporter Esme Ulloa’s curiosity—and maybe her passion as well. But the more she untangles the mystery, the more the world Esme knows unspools, until she finds herself navigating a place she thought existed only in storybooks, where dreams come alive, monsters walk the earth and magic is real. When tragedy strikes close to home, Esme finds she must strike back, matching wits with an ancient demon in a deadly game, where everything she values stands to be lost, including the love of her life.
The Devil in Midwinter is available in trade paperback and ebook via Amazon.com, Barnesandnoble.com, Kobo.comOmniLit.com, other online retailers, and for wholesale through Ingram.

Elise Forier Edie is an author and playwright based in southern California. Recent works include the play “The Pink Unicorn,” which performed at the United Solo Theatre Festival in New York, a short story, “Leonora,” published in Penumbra magazine and several plays, included in the anthology “Original Middle School Scenes and Monologues,” edited by Kent R. Brown. She is a member of the Authors Guild, the Romance Writers of America (RWA) and the Society of Children’s Book Writers and Illustrators (SCBWI). She is married to actor Keith Edie. When she is not writing, she likes to make quilts and soup, but rarely at the same time. Visit Elise Forier Edie on these sites to follow her or list her as one of your favorite authors: AmazonGoodreadsFacebook, Twitter @EliseForierEdie, and www.eliseforieredie.com.
World Weaver Press is a publisher of fantasy, paranormal, and science fiction, dedicated to producing quality works. As a small press, World Weaver seeks to publish books that engage the mind and ensnare the story-loving soul.

Publication Date: April 8, 2014 • NA Paranormal Romance

$9.95 trade paperback, 155 pages  • $4.99 ebook

ISBN: 978-0615990002

Publicity/review requests: publicity@worldweaverpress.com

Information:


WRITING SCRIPTS AND WRITING FICTION: 5 SIMILIARITIES AND  5 DIFFERENCES

Before I became a fiction writer, I was a professional playwright for twenty years.  I am often asked “how is writing fiction different from writing plays?” 

I have two really short answers to that question.
One is, “Scriptwriting isn’t that different from writing fiction.”
The other is, “Ohmigod, they have nothing to do with each other.”

Here is how plays and books are similar:
1)     They are both meant to entertain. Fiction and plays are written to provoke a specific emotional response from an audience.  At the very least, it’s the writer’s job to craft something that will divert the audience’s attention.  At the very best, it’s the writer’s job to craft something that will thrill, surprise and change their audience.

2)     Plays and fiction generally follow certain expected patterns.  The simplest pattern is this: characters in an environment try to do something and they change as a result.   The playwright and the fiction writer create the characters, environment, and then track changes through a carefully crafted series of obstacles, plans and complications.  The more original, artful, and specific the pattern is, the more interesting, unpredictable and satisfying the story.

3)     Telling the truth is important. Craft is great.  Skill is essential.  But a truthful fool can tell a more effective story than a smart liar.  If you’re just trying to follow the rules and attract an audience, you’ll never write anything good.  Audiences follow their hearts and they know if a writer is following hers.

4)     If you dare announce at a cocktail party that you are a fiction writer or a playwright, you will swamped with people wanting to tell you all about their idea for the book or play they think you should write. The only time this doesn’t happen is if you write romance fiction or musicals. Then everyone sidles away and ignores you for the rest of the evening.  (This is probably the reason I mostly write romance fiction and musicals.)

5)     It is hard to write good books and good plays.  Making good art is hard work, no matter what the medium

Here is how they are different:
1)     A play is really just a set of instructions for other artists to create an experience for an audience.  Ultimately, the playwright has no control over the finished product.  Well-written plays can be ruined by shoddy direction and bad acting.  Terrible plays can be made terrific by good staging and excellent timing. 

2)    A bad book is an awful thing but a bad play is utterly unforgiveable.
If a fiction writer writes and publishes a terrible book, the audience can throw the thing in the trash or delete it from their Kindle and only feel slightly pissed off about a dumb and/or icky experience.  If a playwright writes a truly terrible play, and it actually gets produced, actors have to drag themselves through ridiculous banalities night after night and the poor audience is stuck suffering the dark for two to three hours, with no escape. OhmiGod.  I would not wish that fate on my worst enemies, really I wouldn’t.  The only thing worse than a crappy play is an off-key music recital and maybe eggplant.


3) A playwright never works alone, not really.  Even if he drafts alone, in the end there will be a whole team to help him put the play on its feet, from a dramaturg to a lighting designer. And when the play is produced, the playwright can sit in an audience during a performance and watch the audience listen to the story he made up.  He can share in the weeping, edge-of-the-seat drama, feel when the jokes land, and thrill to a standing ovation.  It’s a crazy good time when everything comes together.  There’s nothing like it in the whole world. Meanwhile, the fiction writer, even if she is lucky enough to meet some of her adoring fans, will never get to know how her creation really landed. She doesn’t get to be there to hear the gasps and see the tears.  For the fiction writer, everything is done in isolation.

4)Playwriting is dialogue, and short description, period.  All the good stuff actually happens in between the lines and isn’t written at all.  Rather, it is implied by the playwright, and then created and discovered by actors.  Playwrights make their characters specific in terms of their background and needs, but a lot of the shading and nuance are created by other artists.  In fiction writing, the world of the story and its characters go straight from the author’s hands to the reader’s imagination.  How things look, sound, smell and taste, what the characters are thinking, whether they are drinking coffee or gin and tonics, whether they run across the room or saunter—all of these become choices a fiction writer has to make.  It’s a wonderful and awful responsibility.  As a playwright learning to write fiction, I always have to ask myself, “What is too little?  What is too much?”

5)     Only a finite number of people will ever see your play, even if it’s a big, fat hit.  A play is alive and therefore a fleeting thing—only in a certain space, for a certain time.  But a piece of fiction can last forever.  The successful playwright generally has a lot of fantastic memories and a very exciting life.  The successful author labors in solitude, but gets a body of work that she can always hold in her  hands and show to her grandchildren and great grandchildren.